Dallas Texas Classical Review, May 10th 2019 by Wayne Lee Gay
“…Three haunting opening chords from the orchestra were answered by an equally intense entry by Müller-Schott; unfailingly detailed phrasing and a darkly attractive tone quality characterized the performance with Müller-Schott projecting handsomely above the orchestra throughout. Along with a beautiful lyrical line, Müller-Schott also demonstrated flawless technique—in bursts in the first movement, and in stamina-challenging stretches in the finale; Müller-Schott’s duet with principal cellist Christopher Adkins in the slow movement was pure magic …”