„… the excellent German cellist Daniel Müller-Schott supplied just the right light touch, skittering over the fingerboard with effortless precision, elsewhere delivering eloquent lyricism. Cannellakis fastidiously balanced the orchestra with Müller-Schott’s lean, linen-textured tone .. “
“…Three haunting opening chords from the orchestra were answered by an equally intense entry by Müller-Schott; unfailingly detailed phrasing and a darkly attractive tone quality characterized the performance with Müller-Schott projecting handsomely above the orchestra throughout. Along with a beautiful lyrical line, Müller-Schott also demonstrated flawless technique—in bursts in the first movement, and in stamina-challenging stretches in the finale; Müller-Schott’s duet with principal cellist Christopher Adkins in the slow movement was pure magic …”